The Portrait Society | Plinio Nomellini
6/10/1997 | 4th quarter 20th centuryCharcoal and acrylic on canvasH x L : 50 x 40 cm
Plinio Nomellini was an Italian painter. In 1885, he enrolled at the Accademia di Belle Arti in Florence to study painting. In 1886, he exhibited his art for the first time and in the following decades he regularly took part in exhibitions including the Universal Exhibition in Paris in 1889. From 1899 onwards, he participated in every Venice Biennale until his death. His portraits, landscapes, allegories and genre scenes show characteristics of Impressionism and Symbolism. In 1889, Nomellini moved to Genoa. Because he sympathised with striking workers and depicted socially critical themes in his paintings, he was arrested in 1894 on suspicion of anarchism. However, he was acquitted in the trial that followed. In his later works, Nomellini tended to depict mysterious sceneries as well as brightly coloured excerpts of landscapes. Today, Nomellini's paintings feature mainly in museums in northern Italy. The self-portrait shown in the Uffizi, which Roland Schaul used as a model for this portrait, was donated to the museum by Nomellini's children in 1950.
Object: The Portrait Society | Plinio Nomellini
- Artist | Manufacturer:
- Maurice Marinot (1882-1960) | Draughtsperson
- Title:
- Through the window, nun and woman talking
- Date:
- 2/1945 | 2nd quarter 20th century
- Inventory Number:
- 1972-001/057
- Collection:
- Modern and Contemporary Art
- Domain:
- Drawing
- Iconography:
- Woman
- Group of figures
- Material | Technique:
- Walnut ink on paper
- Measurements:
- H x L : 36.4 x 28.5 cm
- Inscription(s):
- Date (février 45.)
- Stamp (ATELIER marinot)
- Location:
- Depot
- Acquisition method:
- Donation
- Acquisition date:
- 1972
- Copyright:
-
Work: In Copyright | mauricemarinot©merattroyes, 2025
Image(s): In Copyright | © MNAHA / Photo: Tom Lucas
Metadata: CC0 1.0 Universal (CC0 1.0)
- Photographer:
- Tom Lucas
Plinio Nomellini was an Italian painter. In 1885, he enrolled at the Accademia di Belle Arti in Florence to study painting. In 1886, he exhibited his art for the first time and in the following decades he regularly took part in exhibitions including the Universal Exhibition in Paris in 1889. From 1899 onwards, he participated in every Venice Biennale until his death. His portraits, landscapes, allegories and genre scenes show characteristics of Impressionism and Symbolism. In 1889, Nomellini moved to Genoa. Because he sympathised with striking workers and depicted socially critical themes in his paintings, he was arrested in 1894 on suspicion of anarchism. However, he was acquitted in the trial that followed. In his later works, Nomellini tended to depict mysterious sceneries as well as brightly coloured excerpts of landscapes. Today, Nomellini's paintings feature mainly in museums in northern Italy. The self-portrait shown in the Uffizi, which Roland Schaul used as a model for this portrait, was donated to the museum by Nomellini's children in 1950.
Object: The Portrait Society | Plinio Nomellini
- Artist | Manufacturer:
- Maurice Marinot (1882-1960) | Draughtsperson
- Title:
- Through the window, nun and woman talking
- Date:
- 2/1945 | 2nd quarter 20th century
- Inventory Number:
- 1972-001/057
- Collection:
- Modern and Contemporary Art
- Domain:
- Drawing
- Iconography:
- Woman
- Group of figures
- Material | Technique:
- Walnut ink on paper
- Measurements:
- H x L : 36.4 x 28.5 cm
- Inscription(s):
- Date (février 45.)
- Stamp (ATELIER marinot)
- Location:
- Depot
- Acquisition method:
- Donation
- Acquisition date:
- 1972
- Copyright:
-
Work: In Copyright | mauricemarinot©merattroyes, 2025
Image(s): In Copyright | © MNAHA / Photo: Tom Lucas
Metadata: CC0 1.0 Universal (CC0 1.0)
- Photographer:
- Tom Lucas