The Portrait Society | Achille Farina
22/7/1997 | 4th quarter 20th centuryCharcoal and acrylic on canvasH x L : 50 x 40 cm
Achille Farina was an Italian painter, lithographer and majolica artist. He began his training at the drawing school in his home town of Faenza and continued to study in Florence and Bologna. Farina specialised in lithographs. In the 1840s, he worked as a drawing teacher at the art academies in Arezzo, Bologna, Florence, Modena and Siena. In 1851, he was appointed professor at the drawing school in Faenza; three years later, he became director of the academy. During his time as director, Farina carried out restorations in Imola Cathedral and produced several paintings for churches in Faenza. In 1864, Farina stopped teaching and devoted himself to ceramics. In 1876, he founded the Società Ceramica Farina, which he had to abandon after only one year due to financial difficulties. His manufactory Farina e Figlio, founded in 1877, also quickly went bankrupt despite successful participation in exhibitions. Following the bankruptcy, his son and employee Ludovico moved to London. Farina died a short time later.
Object: The Portrait Society | Achille Farina
- Artist | Manufacturer:
- Anonymous
- Title:
- Bague en argent avec intaille
- Intaglio silver ring
- Collection:
- Coins and Medals
- Domain:
- Numismatics
- Material | Technique:
- Silver and carnelian
- Measurements:
- ⌀ : 24 mm
- Geographical Reference:
- Represented place: Luxembourg | Altrier
- Location:
- MNHA | Main building | 1st floor | Room 1
- Description:
-
In August 1861, Johannes Komes discovered an antique ring in the garden of his house along the main street of Altrier. Buried with the ring were some thirty ancient coins, most of them silver, and agglomerated as a result of oxidation. Shortly after the ring had been discovered, the entire hoard was acquired by the Archaeological Society, whose curator Antoine Namur quickly drew up a list roughly identifying seventeen of the coins. Eleven of these can still be found in the museum’s collections, together with this splendid solid silver ring.
It has chiselled openwork ornamentation, typical for the work of 3rd-century silversmiths. The intaglio, which is elliptical and mounted on an octagonal setting, is remarkably high. It is made of red carnelian, a variety of solid-colour chalcedony frequently used in jewellery-making. The finely engraved scene shows a chasing lion leaping on a deer. The speed of movement is perfectly rendered by the engraver of this piece of quartz, which is barely 2.5 cm in diameter.
Because of the coins found with the ring, we know that the hoard could not have been buried earlier than 268. They also hint at the reasons: this was a period of strong devaluation that suffered under Frankish incursions. Insecurity as well as the desire to safeguard these high-quality silver coins must have induced the owner of this signet ring to bury the hoard.
Informations supplémentaires
- Bibliography:
- Polfer, M. [Dir.] (2017). MNHA 100 Objets. Luxembourg : Musée national d'histoire et d'art.| p. 78-79
- Weiller, R. (1972). Les monnaies antiques découvertes au Grand-Duché de Luxembourg. Berlin : Gesamtherstellung Brüder Hartmann ; Berlin : Gebr. Mann Verlag.| p. 38-40
- Santer, J., Krieps, R. Linster, G., Thill, G., Metzler, J., Krier, J., … Pauly, M.(1989). Trésors du Musée national d'histoire et d'art Luxembourg. Luxembourg : Musée national d'histoire et d'art.| ill. 47
- Copyright:
-
Work: Public Domain
Image(s): CC0
Metadata: CC0
- Photographer:
- Tom Lucas
Achille Farina was an Italian painter, lithographer and majolica artist. He began his training at the drawing school in his home town of Faenza and continued to study in Florence and Bologna. Farina specialised in lithographs. In the 1840s, he worked as a drawing teacher at the art academies in Arezzo, Bologna, Florence, Modena and Siena. In 1851, he was appointed professor at the drawing school in Faenza; three years later, he became director of the academy. During his time as director, Farina carried out restorations in Imola Cathedral and produced several paintings for churches in Faenza. In 1864, Farina stopped teaching and devoted himself to ceramics. In 1876, he founded the Società Ceramica Farina, which he had to abandon after only one year due to financial difficulties. His manufactory Farina e Figlio, founded in 1877, also quickly went bankrupt despite successful participation in exhibitions. Following the bankruptcy, his son and employee Ludovico moved to London. Farina died a short time later.
Object: The Portrait Society | Achille Farina
- Artist | Manufacturer:
- Anonymous
- Title:
- Bague en argent avec intaille
- Intaglio silver ring
- Collection:
- Coins and Medals
- Domain:
- Numismatics
- Material | Technique:
- Silver and carnelian
- Measurements:
- ⌀ : 24 mm
- Geographical Reference:
- Represented place: Luxembourg | Altrier
- Location:
- MNHA | Main building | 1st floor | Room 1
- Description:
-
In August 1861, Johannes Komes discovered an antique ring in the garden of his house along the main street of Altrier. Buried with the ring were some thirty ancient coins, most of them silver, and agglomerated as a result of oxidation. Shortly after the ring had been discovered, the entire hoard was acquired by the Archaeological Society, whose curator Antoine Namur quickly drew up a list roughly identifying seventeen of the coins. Eleven of these can still be found in the museum’s collections, together with this splendid solid silver ring.
It has chiselled openwork ornamentation, typical for the work of 3rd-century silversmiths. The intaglio, which is elliptical and mounted on an octagonal setting, is remarkably high. It is made of red carnelian, a variety of solid-colour chalcedony frequently used in jewellery-making. The finely engraved scene shows a chasing lion leaping on a deer. The speed of movement is perfectly rendered by the engraver of this piece of quartz, which is barely 2.5 cm in diameter.
Because of the coins found with the ring, we know that the hoard could not have been buried earlier than 268. They also hint at the reasons: this was a period of strong devaluation that suffered under Frankish incursions. Insecurity as well as the desire to safeguard these high-quality silver coins must have induced the owner of this signet ring to bury the hoard.
Informations supplémentaires
- Bibliography:
- Polfer, M. [Dir.] (2017). MNHA 100 Objets. Luxembourg : Musée national d'histoire et d'art.| p. 78-79
- Weiller, R. (1972). Les monnaies antiques découvertes au Grand-Duché de Luxembourg. Berlin : Gesamtherstellung Brüder Hartmann ; Berlin : Gebr. Mann Verlag.| p. 38-40
- Santer, J., Krieps, R. Linster, G., Thill, G., Metzler, J., Krier, J., … Pauly, M.(1989). Trésors du Musée national d'histoire et d'art Luxembourg. Luxembourg : Musée national d'histoire et d'art.| ill. 47
- Copyright:
-
Work: Public Domain
Image(s): CC0
Metadata: CC0
- Photographer:
- Tom Lucas