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Artist | Manufacturer:
Faïencerie Villeroy & Boch Septfontaines | Manufacturer
Title:
Sugar bowl
Date:
around 1930 - around 1950 | 2nd quarter 20th century - 3rd quarter 20th century
Inventory Number:
2014-281/009-005-a+b
Collection:
Ceramics
Domain:
Ceramics
Designation:
Sugar bowl
Material | Technique:
Glazed fine earthenware
Measurements:
Height (H): 10.3 cm
Diameter (Ø): 10.9 cm
Length (L): 15.1 cm
Height (H): 7.6 cm ( without lid)
Height (H): 3.1 cm (lid)
Diameter (Ø): 6.1 cm (lid)
Inscription(s):
Hollow maker’s mark\, hollow ; rounded (• MADE • IN • / V&B / LUXEMBURG)
Geographical Reference:
Place of creation: Luxembourg | Luxembourg City
Geographical Reference:
Lieu d'utilisation: Luxembourg | Senningen
Location:
Depot
Acquisition method:
Achat
Copyright:
Work: In Copyright
Image(s): In Copyright
Metadata: CC0 1.0 Universal (CC0 1.0)
Photographer:
Tom Lucas

Beginning of existence

Acquisition

Lieu d'utilisation

Contents

Table of contents

  • Nico Klopp
  • [Catalogue]
  • Peintures à l'huile
  • Dessins
  • Gravures sur bois et sur lino en noir et en couleurs
  • Dragueur sur la Moselle
  • Kermesse à Remich
  • Paysage printanier
  • Pavots et tournesols
  • Poires et pommes
  • Pavots dans un pot gris
  • Les tulipes
  • Martigues (la pointe de Brescou)
  • Martigues (le miroir des oiseaux)
  • Barques pres d’Eckernförde
  • Barques pres d’Eckernförde
  • Crucifixion
  • Saint Sebastien
  • Cour de ferme
  • Arbres
  • Peupliers près de l'Alzette
  • Arbres et meules de foin
  • Paysage mosellan
  • Paysage mosellan

Full text

Peintures à l'huile 
| 
Paysage (Urdenbach) 
Carton, 24 x 17 
Signé d'un monogramme en bas, à gauche, et daté (19)18* 
') 
Mère et enfant dans un intérieur 
Carton, 18 x 23 
Signé en bas, à gauche, et daté (19)22 
3 
Don Quichotte 
Carton, 19 x 24 
Signé en bas, à gauche, et daté (19)22 
Eckernförde sur la Baltique 
Carton, 23 x 17 
Signé en bas, à gauche, et daté (19)22 
„ 
Fenaison prés de la Moselle 
Carton, 17 x 24 
Signé en bas, à gauche, et daté 1923 
* Sauf indication contraire, les oeuvres exposées 
appartiennent à Mme Nico Klopp, Luxembourg, 
et à Mme Rosemarie Hassanein-Klopp, Le Caire
	        

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