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MuseoMag 2025_02

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fullscreen: MuseoMag 2025_02

Periodical

Title:
MuseoMag

Periodical volume

Title:
MuseoMag 2025_02

Article

Title:
From cursed algae to painting with light: Our exhibition for the European Month of Photography

Contents

Table of contents

  • MuseoMag
  • MuseoMag 2025_02
  • Sommaire
  • Editorial
  • "Eng Ausernanersetzung mat der Zäit vun der Festung": De Musée Dräi Eechelen ass dëst Joer beim European Month of Photography (EMOP) derbäi, mat La cité transparente, a Projet vum Yann Tonnar
  • From cursed algae to painting with light: Our exhibition for the European Month of Photography
  • Op de Spuere vum Bundeskontingent a Jägerkorps : Wéi d'Virbereedunge fir eng Ausstellung iwwert d'Urspréng vun der Lëtzebuerger Arméi onerwaarten Dieren opgemaach hunn
  • Echappées belles : Avec Land in Motion, découvrez les paysages comme jamais auparavant !
  • From London to Luxembourg: The museum welcomes Dan Gaasch's Selina (2022) to its collection
  • Un site archéologique hors pair en plein air : Réouverture le mardi 8 avril 2025 - entrée gratuite
  • La souffrance, l'éphémère et la fin inéluctable : "Bacon, une vision sacralisée de l'humain": Nouvelles visites thématiques autour du tryptique actuellement en prêt au Nationalmusée
  • Von gelehrten Affen, einem geflügelten Stier und Europa : Neue Erkenntnisse zu den Art déco-Keramiken von Léon Nosbusch
  • Das "Gedächtnis" des Museums : Eugénie Wilhelm (1917-1988) wird im Rahmen des Archivmonats gewürdigt
  • Gérard Thill zum 100. Geburtstag : Am 13. März wurde der frühere Direktor des Museums Gérard Thill 100 Jahre alt
  • Visiteurs indésirables : Quand la biodiversité devient une menace pour le patrimoine
  • Reviving Prince Henry: How we restored a 19th-century crayon portrait
  • Bon à savoir

Full text

6 
MuseoMag   N°II 2025 
Marta Djourina’s works on view in the exhibition Recently Seen and Admired (2021), at the gallery FeldbuschWiesnerRudolph 
(Berlin) 
FROM CURSED ALGAE TO PAINTING 
WITH LIGHT 
Our exhibition for the European Month of Photography 
In this year’s edition of the European Month of 
Photography in Luxembourg (EMOPLUX), our museum 
has taken on a more active role, with the Head of 
our Fine Arts Department, Ruud Priem, co-curating 
the festival. Initiated in 2006 by Café-Crème asbl in 
partnership with leading photo institutions in Paris, 
Berlin and Vienna, the festival is now a major inter- 
national event dedicated to photography and visual 
culture. It brings together both emerging and esta- 
blished artists and photographers with the aim of 
reflecting the diversity of photography in our time. 
Following the themes of the past two editions, 
where “rethinking” already served as a lens to 
challenge conventional ideas, the 10th edition of 
the festival continues with Rethinking Photography, 
exploring the evolving nature of photography itself 
– as both a medium and an art form. The festival in- 
vites artists and audiences to reconsider the role of 
photography in modern society, reflecting on how 
technological advancements and changing cultural 
contexts are reshaping our perception of images. 
The event will engage with contemporary debates 
surrounding digital images, the manipulation of 
photographs and the role of visual media in the 
age of mass communication. 
SEVEN ARTISTS 
FROM SEVEN COUNTRIES 
The Nationalmusée um Fëschmaart is presenting 
seven artists from various countries, each working 
with and around the photographic medium in ways 
that explore its limits and possibilities across an 
array of contemporary topics and contexts. 
Based in Brussels, the French photographer Alice 
Pallot uses a semi-fictional narrative to address 
a very real and ongoing issue; her project Algues 
Maudites investigates the green algae problem on 
the Breton coast. These “cursed algae,” a result of 
intensive agriculture and other human activities, now 
pose a serious threat to both human health and the 
local environment. In collaboration with an environ- 
mental association and a scientific research insti- 
© 
marta 
djourina 
/ 
photo: 
gunter lepkowski
	        

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