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MuseoMag 2025_03

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Full text: MuseoMag 2025_03

Periodical

Title:
MuseoMag

Periodical volume

Title:
MuseoMag 2019_04

Article

Title:
Eine trügerische Ruhe : Frischer Blick eines Nachwuchsistorikers hinter die Kulissen der Austellung #Wielewatmirsinn

Contents

Table of contents

  • MuseoMag
  • MuseoMag 2025_03
  • Sommaire
  • Editorial
  • Lights, camera, masterpiece! Showcasing the collections in our new video series
  • Finding meaning in the mundane: Inside the studio of Letizia Romanini, the Luxembourg-based artist on display in our Beyond the Frame exhibition
  • Stoff und Stil : "Luxemburger Bundeskontingent": wie am 19. Jahrhundert die lokale Uniformproduktion der Tuchmacherei im Großherzogtum neuen Antrieb verleihen soll
  • Reflecting on landscape and nature's voice: A video series with four artists about how they engage with different landscapes
  • Physesche Vervall an technologesch Obsoleszenz : Disketten an d'digital Erausfuerderunge vun haut a muer
  • From grime to glow: Cleaning Marianne Theresia's portrait
  • Une portraitiste qui fut à bonne école : Marie-Thérèse Glaesener-Hartmann (1858-1923) entre dans le konschlexikon.lu
  • Comme un lundi... Tous les six mois, une équipe dévouée se retrouve au musée un lundi, jour de fermeture hebdomadaire, pour bichonner les pièces exposées
  • Bon à savoir

Full text

14 
MuseoMag   N°III 2025 
REFLECTING ON LANDSCAPE   
AND NATURE‘S VOICE 
A video series with four artists about how they engage with different landscapes 
© 
capsule 
At the heart of our exhibition Land in Motion lies a 
dynamic relationship: the ever-evolving interplay be- 
tween nature and humanity. More precisely, a rela- 
tionship of forces. How have we, as humans, shaped 
the landscape – for better or worse – and how, in 
turn, has nature shaped us? 
While our collection, which ranges from archaeo- 
logical finds to historical objects and artistic works, 
reflects extensively humanity’s influence on the 
land, the other side of the story is less present. The 
rare pieces that do speak of nature’s influence on 
us tend to focus on destruction, such as photo- 
graphs documenting floods, for instance. 
This led us to a question: how can we give nature a 
voice that reflects its nurturing side? Nature already 
speaks – powerfully, constantly and in countless 
ways –, but are we truly listening? Can we shift our 
perspective to hear not only its warnings, but also its 
wisdom, its resilience, its inspiration? And how can 
we incorporate these voices into the exhibition? 
We took these questions as our starting point and 
invited Luxembourg-based artists to become the in- 
terpreters of nature’s voice. Through their creativity, 
nature speaks – not in words, but in images, sound, 
emotion and thought. The result: a compelling video 
series where each artist gives form to each of the 
exhibition’s four landscapes – forest, agriculture, riv- 
er and industry. And so began a journey where art- 
ists became mediators, channeling the voice of na- 
ture and translating it into words we all understand. 
CURATING VOICES: FROM LANDSCAPE 
SELECTION TO VIDEO COMPOSITION 
We selected artists who have long engaged with 
specific landscapes in a philosophical way, where 
these landscapes are a continuous thread through- 
out their work. At the same time, we aimed to en- 
sure a balance of different age groups, backgrounds, 
practices and genders. The artists were invited to 
engage with the specific landscape we had selected 
for them last year.   
The shoot was structured in two parts: in the first, 
the artist reflected on their personal relationship 
(From left to right) Marco Godinho, Anna Recker, Serge Ecker and Katarzyna Kot were invited to reflect on different lands- 
capes in relation to their practices.
	        

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