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MuseoMag 2019_02

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fullscreen: MuseoMag 2019_02

Periodical

Title:
MuseoMag

Periodical volume

Title:
MuseoMag 2019_02

Article

Title:
Early Chinese wisdom that is still valid today: Our museum guide, Anne Havik, invites you to dive into China's "Bible" in the frame of the workshop "I Ching"

Contents

Table of contents

  • MuseoMag
  • MuseoMag 2019_02
  • Sommaire
  • Editorial
  • Le corps à l'épreuve de l'objectif et du subjectif : "Bodyfiction(s)" : Le MNHA propose une vision très féminine du corps dans le cadre de la 7e édition du mois européen de la photographie
  • "Moneta Luxemburgensis": Improving an old collection: New light on the Luxembourg coins thanks to digitization
  • Einmal Carlsruhe und zurück : Die abenteuerliche Reise eines Kanonenrohrs
  • "Et wor emol e Kanonéier" : E Lidd vum Dicks als Namensgeber fir d'Austellung
  • Au chevet des oeuvres d'art : Etude matérielle, restauration et liens affectifs : Causerie entre collègues
  • Un souffle de liberté : A partir du 30 avril, le MNHA revient sur l'émergence des sécessionnistes luxembourgeois
  • L'art ancien plus riche qu'hier : Analyse de trois acquisitions récentes grâce au soutien de la Fondation La Marck
  • Out of Africa ? : Rapport sur les collections exotiques du MNHA
  • Early Chinese wisdom that is still valid today: Our museum guide, Anne Havik, invites you to dive into China's "Bible" in the frame of the workshop "I Ching"
  • Mam Wulles um Tour : Säit Ufank Mäerz proposéiert den MNHA e fuschneie Parcours "Luxembourg for kids" fir Kanner ab 6 Joer
  • Bon à savoir

Full text

26 museomag   02 ‘ 2019 
EARLY CHINESE WISDOM   
THAT IS STILL VALID TODAY 
OUR MUSEUM GUIDE, ANNE HAVIK, INVITES YOU TO DIVE INTO CHINA’S “BIBLE“ 
IN THE FRAME OF THE WORKSHOP “I CHING” 
© 
MNHA 
/ 
tania 
weiss 
‘If I would be given 50 more years, I would dedicate all 
of them to studying the I Ching!’ This phrase came out 
of the mouth of the Chinese philosopher Confucius, so 
it is said, while he was dying. 
The I Ching, also known as the book of transformation, 
is probably one of the oldest books we know, and can 
be seen as China’s ‘Bible’, although it doesn’t give any 
prescription about right or wrong. It has a very long 
tradition of interpretation and rewriting, in the begin- 
ning in China, but later also in Europe, by, for example 
Carl Jung. Its origins probably lie around 3000 B.C., but 
are difficult to prove, since there is no documentation 
which can confirm this. It is confirmed though that it’s 
very very old, and that it was used in China, since the 
very beginning of what we know for sure of the Chinese 
culture. And the most fascinating part of it, is that this 
book is still used by many people today. 
THE LINES: SYMBOLS FOR FORCES 
So, what is it? It is a totally incomprehensible book 
for someone who first picks it up and tries to read it. 
Its texts are enigmatic and full of Chinese metaphors, 
which are very difficult to understand, even for Chinese 
people living now. It is an oracle – in a way comparable 
with the Tarot – that is based on the principle of Yin and 
Yang, and that claims to have all the answers for eve- 
ry possible situation imaginable. If you ask the I Ching 
a question, there are 64 possible outcomes which are 
visualised, in the first place, by six lines, or actually by 
a combination of 2 x 3 lines, and then explained in an 
almost incomprehensible text. There is a way to un- 
derstand the lines though, without using the text, or by 
using the text only at a later stage, because the lines 
are symbols for forces we all still understand, like for 
example water, fire, sky, earth and thunder. 
Answers from the I Ching are always composed of 
two of these ‘forces’. During my workshop I try to ex- 
plain how visualising these elements, and their inte- 
raction, can open your door towards the I Ching, and, 
more broadly, towards the fascinating Chinese culture, 
and way of thinking, which is much less individualistic 
than ours. 
“Today, I am still fascinated by the fact that a book that was created so long ago, can still be consulted and used today”, says Anne 
Havik, our museum guide.
	        

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