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MuseoMag 2018_01

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fullscreen: MuseoMag 2018_01

Periodical

Title:
MuseoMag

Periodical volume

Title:
MuseoMag 2018_01

Article

Title:
Into the heart of a sacred place: The archeological excavations of Campo della Fiera di Orvieto

Contents

Table of contents

  • MuseoMag
  • MuseoMag 2018_01
  • Sommaire
  • Editorial
  • Magiques suggestions : Giorgio de Chirico en vedette du nouveau parcours Art moderne et contemporain
  • Into the heart of a sacred place: The archeological excavations of Campo della Fiera di Orvieto
  • La forteresse de Luxembourg en miniature : Zoom sur la maquette sous verre incrustée dans le sol de l'auditorium
  • Interactions entre contenant et contenu : Le MNHA se dote de nouvelles vitrines, plus modulaires
  • Le récolement : Parfois un heureux jeu de pistes : Objet d'étude : L'allégorie du démantèlement
  • Bon à savoir

Full text

7 01 ‘ 2018   museomag 
TEMPORARY EXHIBITION 
(Orvieto) that took place between 308 and 280 BC 
and ended with the capture of the city in 264 BC. 
In front of the remains of this temple, a number of 
children were buried in honour of a mother deity, as 
revealed by the Etruscan word atial (“of the mother”) 
written on a bucchero cup (type of black monochrome 
Etruscan pottery). In front of the building’s facade were 
placed the remains of bronze strips from a chariot. 
A large number of Greek ceramics, offerings to the 
sanctuary made by wealthy devotees, were also found. 
The road follows the slopes of the hill towards the large 
Temple B that dominated the whole sanctuary and was 
surrounded by porticoes, fountains and basins. This 
building was destroyed in 264 BC but the place was 
not abandoned. Shortly after, a ceramic workshop was 
set up, its circular kiln was found almost intact. 
CONTINUOUSLY USED 
AS A RELIGIOUS SITE 
Between the end of the 1st century BC and the 1st century 
AD, an extensive part of Campo della Fiera underwent 
major transformations due to the construction of a 
sumptuous domus. This private Roman residence fea- 
tured a large meeting hall that was connected to ther- 
mal baths that were decorated with rich floor-coverings, 
among which a mosaic of exceptional quality showing 
Scylla and sea monsters. This residence was restructured 
Base with inscription of a dedication to the deity Tluschva, last 
quarter of the 6th century BC, Orvieto, National Archaeological 
Museum. 
© 
Archivio 
dello 
Scavo 
Campo 
della 
Fiera 
Oinochoe modeled after the shape of the head of Dionysos, cera- 
mic, end of the 6th century BC, Orvieto, National Archaeological 
Museum. 
in the 2nd century AC and was inhabited until the end 
of the 4th century AC, when the edict promulgated by 
the emperor Theodosius put a final end to pagan cults, 
ceasing the sanctuary’s activities as a consequence. 
During the 6th and 7th centuries, the building was 
transformed into a place of Christian worship. On 
the same spot, the church of San Pietro in Vetere was 
built between the twelfth and thirteenth centuries. 
Even though its exact location was lost over time, it 
was found again during excavations. A 30-meter-long 
building, that served either as a refectory or as a 
warehouse, was discovered next to the church. This 
building was demolished in the 15th century, crea- 
ting an open space used as a marketplace, hence 
the origin of today’s toponym Campo della Fiera. 
Thus, the site of Campo della Fiera was continuously 
used as a religious site over more than two thousand 
years, from the 6th century BC to the 15th century AD. 
Simonetta Stopponi, scientific curator 
The celestial place. Etruscans and their 
gods – The federal sanctuary of Orvieto 
Temporary exhibition from March, 
16 to September, 2 2018. Vernissage 15 March 2018.
	        

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