MNAHA Collections Logo
  • First image
  • Previous image
  • Next image
  • Last image
  • Show double pages
Use the mouse to select the image area you want to share.
Please select which information should be copied to the clipboard by clicking on the link:
  • Link to the viewer page with highlighted frame
  • Link to IIIF image fragment

MuseoMag 2016_02

Access restriction

There is no access restriction for this record.

Copyright

The copyright and related rights status of this record has not been evaluated or is not clear. Please refer to the organization that has made the Item available for more information.

Metadata

fullscreen: MuseoMag 2016_02

Periodical

Title:
MuseoMag

Periodical volume

Title:
MuseoMag 2016_02

Article

Title:
"Velasquez's paintings: I have no idea how he did it...": H. Craig Hanna's first large museum exhibition is currently on display until June 26

Contents

Table of contents

  • MuseoMag
  • MuseoMag 2016_02
  • Sommaire
  • Editorial
  • Joseph Kutter au service du "nation branding" : Nouvel accrochage à l'occasion du 75e anniversaire du décès de l'artiste luxembourgeois (1894-1941)
  • "Velasquez's paintings: I have no idea how he did it...": H. Craig Hanna's first large museum exhibition is currently on display until June 26
  • En stage pendant un montage : Dans les coulisses de l'exposition "La guerre froide au Luxembourg", à l'affiche du MNHA du 22 avril au 27 novembre 2016
  • Discussing language with teenagers in the museum?: Workshop "Moien ! Hallo ! Salut ! Olà #Quelle Langue ?"
  • "Unabhängigkeit soll an den Begriff der Freiheit gekoppelt sein" : Im Gespräch mit Schauspieler André Jung, zu Gast um Musée Dräi Eechelen am 24. April um 15 Uhr
  • Bon à savoir

Full text

6 museomag   02 ‘ 2016 
“velasQueZ‘s paintings: 
i have no idea hoW he did it...“ 
h. craig hanna’s first large museum exhibition is currently on display 
until June 26 
After acquiring in 2015 “Arrangement of Dancers”, 
a majestic painting of the Amercian artist H. Craig 
Hanna, the Musée national d’histoire et d’art 
exhibits more than fifty of his works (2007- 
2014). This is the first large museum exhibition 
dedicated to his œuvre. Thematic interview. 
landscapes 
You rarely represent landscapes, but when you do so, 
they are very intense. How do you explain it? 
Inbetween doing the figure paintings - there’s a certain 
labor involved that is exhausting -, I like to meditate 
on a landscape. In order to fall in love with painting 
again. Landscape is like a meditative break to me. 
Landscapes are more free, more spontaneous, not so 
thought out. Corot, Constable, Menzel are painters 
who brought landscape to a very high level. They’re like 
the Rembrandt and Velasquez of landscape paintings. 
It’s a challenge to reach those heights. Sometimes 
when I’m walking in a field or a wood, I can see what 
a great landscape painting it would be. Too beautiful 
to mean nothing. So I need to make it permanent. 
sKetchbooKs 
In one of your sketchbooks you write: “Each 
painting has to portray one of the elements of the 
human condition, boredom – loneliness – laughter - 
confusion”. Is this also true for the portraits on display 
at the MNHA? 
When someone sits for you and poses, it’s an 
accumulation of many hours of observation. The 
model experiences hundreds of emotions while they’re 
posing. It’s a possibility that some of the emotions 
come out. Someone once said: ‘A photograph captures 
a moment in time. A painting is time.’ 
Another quotation from your sketchbook says that 
“decide from the beginning that you will die and 
investigate what is worthwhile…eating, drinking and 
talking about war, romance and gossip or predict it…I 
don’t try and see into future I feel the future”. Please 
elaborate! 
The quote just kind of says it all! 
beauty 
“Beauty is not an opinion, it’s a reaction”. How is this 
reflected in your art? 
True beauty in music, in poetry, in writing: when it’s 
good, it touches a nerve in everyone. This is something 
that all humans feel. Like the sun on your face, everyone 
can feel it. You should never read the plaque in order to 
appreciate the painting. 
© 
éric 
chenal 
“When someone sits for you and poses, it’s a possibility that some of the emotions come out.”
	        

Downloads

Downloads

Full record

ALTO TEI Full text PDF Mirador

This page

PDF Image Preview Image Small Image Medium Image Large (3000 px) ALTO TEI Full text Mirador

Image fragment

Link to the viewer page with highlighted frame Link to IIIF image fragment

Formats and links

Formats and links

The metadata is available in various formats. There are also links to external systems.

Formats

METS METS (entire work) MARC XML Dublin Core

Links

DFG-Viewer Mirador

Cite

Cite

The following citation links are available for the entire work or the displayed page:

Full record

RIS

This page

Image manipulation tools

Tools not available

Share image region

Use the mouse to select the image area you want to share.
Please select which information should be copied to the clipboard by clicking on the link:
  • Link to the viewer page with highlighted frame
  • Link to IIIF image fragment

Contact

Have you found an error? Do you have any suggestions for making our service even better or any other questions about this page? Please write to us and we'll make sure we get back to you.

How much is one plus two?:

I hereby confirm the use of my personal data within the context of the enquiry made.