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MuseoMag 2015_02

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fullscreen: MuseoMag 2015_02

Periodical

Title:
MuseoMag

Periodical volume

Title:
MuseoMag 2015_02

Article

Title:
"The American Dream" of Edward Steichen: An homage to a career in photography

Contents

Table of contents

  • MuseoMag
  • MuseoMag 2015_02
  • Sommaire
  • Editorial
  • Art luxembourgeois : Le meilleur du cru : Panorama du XIXe siècle à nos jours
  • "The American Dream" of Edward Steichen: An homage to a career in photography
  • "Mumien haben keinen abstossenden Geruch" : Fünf fragen an... Dr. Wilfried Rosendahl
  • "Le plancher chante toujours" : Visite guidée "post-chantier" avec l'architecte Philippe Caulier
  • Es Werde Licht ! Neu : Ein Prolog im MNHA
  • Cette singulière sollicitude : Incursion dans l'atelier de restauration du MNHA
  • Hollandais ? Belges ? Luxembourgeois ! : Les frontières de l'indépendance. Le Luxembourg entre 1815 et 1839
  • Bon à savoir

Full text

6 museomag   02 ‘ 2015 
Edward Steichen’s life was as multi-facetted and pro- 
lific as was his career, and there would be many ways 
to tell his story. There is, for instance, the perspective 
of the migrant family, forced to leave a native country 
that offered no hopes for the future to seek a better 
life elsewhere. Home was Luxembourg, more precisely 
the village of Bivange where Steichen was born in 1879, 
and elsewhere, the land of limitless possibilities, the 
United States, of course. Marie Steichen embarked with 
her infant son Eduard in 1880. The father, Jean, had ar- 
rived in the USA a year earlier already. From this point 
of view, the Steichen family was one of many who set 
out for the New World. Over 72.000 is the estimated 
number of Luxembourg emigrants between 1841 and 
1891 while the country counted a total population, in 
1891, of 212.800 people. Few however had an equally 
brilliant ascension as Edward Steichen. 
A TALE OF SUCCESS AND FAME 
In fact, he lived “the American dream”, climbing every 
sprout of the social ladder – from the son of immigrants 
confounded at the bottom in the masses, to the very 
top of the heap as one of America’s most prominent 
and most influential figures in the field of photogra- 
phy. He portrayed the rich (J.P. Morgan), the power- 
ful (Theodore Roosevelt), the illustrious (Greta Garbo, 
Charlie Chaplin); he befriended the esteemed (Rodin, 
Brancusi), championing their work, building bridges 
between European and American artistic communi- 
ties. Steichen’s story is a tale of success and, ultimately, 
fame. 
His career spanned over eight decades, from the 
early 1890s to his death in 1973. At an early stage of 
his life in photography, as pictorialist, he helped estab- 
lishing the medium as an art form, together with his 
mentor and friend Alfred Stieglitz in New York. 
This was an important step: for decades the mechan- 
ical fabrication of images had only been valued as a 
“THE AMERICAN DREAM” 
OF EDWARD STEICHEN 
AN HOMAGE TO A CAREER IN PHOTOGRAPHY 
The MNHA collection perfectly reflects Steichen’s wide-ranging career and the multiple facets of his own photographic work. 
© 
éric chenal
	        

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