6 museomag 04 ‘ 2017 Creation in Form and Color: Hans Hofmann looks anew at the innovative master, beginning with his cutting- edge abstractions of the late 1930s and early 1940s and following the expansive range and sustained vitality of his long artistic career. Building upon the 2014 publication of the Hans Hofmann Catalogue Raisonné of Paintings and new scholarship conducted for this exhibition and catalogue, Creation in Form and Color expands our understanding and reinvigorates our appreciation of Hofmann through a presentation of his full artistic arc. The exhibition highlights the vibrant interconnectedness and continuity in his work, with both European and American influences, from the early twentieth century through the advent of Abstract Expressionism. The exhibition of nearly fifty paintings includes numerous works from BAMPFA’s extensive collection of Hofmann paintings, with additional loans from the Renate, Hans Hofmann (1880-1966), „Indian Summer“, 1959, oil on canvas / University of California, BAMPFA, Gift of the artist, 1965 hans hofmann, a painter “rescued by america” in the context of the exhibition “creation in form and color. hans hofmann”, the mnha organiZes a cycle of three lectures © 2016 Renate, Hans and Maria Hofmann Trust / ARS, NY Hans and Maria Hofmann Trust, and from private and public collections in the United States and Europe. BAMPFA holds the world’s most extensive museum collection of Hofmann’s paintings. In 1963, the German- born, American artist gave the University of California nearly fifty paintings. The artist made this extraordinary gift in recognition of the University’s important role in his early career: UC Berkeley’s Department of Art invited him to teach in 1930, bringing Hofmann to America for the first time. Hofmann later acknowledged this life- changing opportunity, stating: “If I had not been rescued by America, I would have lost my chance as a painter.” In my lecture Nature into Abstraction: Hans Hofmann, on Saturday 7th October at 10.30 a.m. at MNHA, I will address Hofmann’s innovative, prolific, and highly